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William Cruikshank
William Cruikshank (December 25, 1848, Broughty Ferry, Scotland e May 19, 1922, Kansas City, Missouri) was a British painter and the grand-nephew of George Cruikshank. He studied art at the Royal Scottish Academy in Edinburgh, at the Royal Academy in London, and in Paris. His last studies were interrupted by the Franco-Prussian War. In 1871 he settled in Canada, opened a studio in Toronto and for twenty-five years was an instructor in the Central Ontario School of Art, later the Ontario College of Art. In 1894 he was elected a member of the Royal Canadian Academy of Arts and acquired a considerable reputation as a portrait and figure painter, and as a painter of Canadian scenes. Some of his paintings are in the National Gallery of Canada
henry wadsworth longfellow
1807-C82, American poet, b. Portland, Maine, grad. Bowdoin College, 1825. He wrote some of the most popular poems in American literature, in which he created a new body of romantic American legends. Descended from an established New England family, after college he spent the next three years in Europe, preparing himself for a professorship of modern languages at Bowdoin, where he taught from 1829 to 1835. After the death of his young wife in 1835, Longfellow traveled again to Europe, where he met Frances Appleton, who was to become his second wife after a long courtship. She was the model for the heroine of his prose romance, Hyperion (1839). From 1836 to 1854, Longfellow was professor of modern languages at Harvard, and during these years he became one of an intellectual triumvirate that included Oliver Wendell Holmes and James Russell Lowell. Although a sympathetic and ethical person, Longfellow was uninvolved in the compelling religious and social issues of his time; he did, however, display interest in the abolitionist cause.
Francesco Granacci
1477-1543 Italian Francesco Granacci Galleries Born at Villamagna di Volterra, he trained in Florence at the studio of Domenico Ghirlandaio, and was employed painting frescoes for San Marco on commission of Lorenzo de'Medici. He is featured in Giorgio Vasari's Vite. His early works were influenced from the style of Filippino Lippi, like the Enthroned Madonna between Saint Michael and John the Baptist (Staatliche Museen, Berlin), Adoration of the Child (Honolulu Academy of Arts) and four histories of Saint John the Baptist. In 1508, Granacci went to Rome, where, with other artists, he helped Michelangelo transfer cartoons to the Sistine chapel ceiling. The two artists were lifelong friends. Returning to Florence, Granacci painted a Madonna with Child with Saints Francesco and Jerome for the Augustinian convent of San Gallo (now in the Gallery of the Academy), a Madonna della Cintola for the Company of San Benedetto Bigi, and in 1515 he participated in creating the decorations to celebrate the visit to Florence of Pope Leo X.